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Höhenfrühstück 2: Forensic Architecture. Eine kulturelle Perspektive

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Heiss-Saal
Plenary / Debate
in deutscher Sprache

Das Haus der Kulturen der Welt in Berlin entwickelt neue konzeptionelle Strategien, um Erklärungen für grundlegende Transformationen in Gesellschaft und im Erdzeitalter zu finden. Wie können unsere Repräsentationssysteme im 21. Jahrhundert mithalten? Welche neuen Formen der Wissensproduktion brauchen wir und welchen „ideas in the making“ soll sich das Anthropozän annehmen? Wie kann beispielsweise ein architektonisches, mediales Rechercheprojekt namens „Forensic Architecture“ die Beweisführung bei Verbrechen gegen die Menschlichkeit unterstützten?

Head of Arts and Culture, European Forum Alpbach, Vienna
Intendant, Haus der Kulturen der Welt, Berlin

Mag.a Elisabeth SCHACK

Head of Arts and Culture, European Forum Alpbach, Vienna

Theatre Science and a combination of Spanish, History and Acient History, University of Vienna Cultural and Media Management, University for Music and Theatre, Hamburg Assistant to the Artistic Direction, Wiener Festwochen, Vienna Dramaturg, Wiener Festwochen, Vienna Conception and Founding of A!DRAMA (University Course for Applied Dramaturgy in Music and Performing Arts starts in March 2018), University of Music and Performing Arts, Vienna Dissertation about the role of Dramaturgy in the Performing Arts, University Vienna
1995-2000
2000-2002
2003-2007
2007-2016
since 2016
since 2016

Prof. Dr. Bernd SCHERER

Intendant, Haus der Kulturen der Welt, Berlin

 Scherer holds a doctoral degree in Philosophy from the Universität des Saarlandes and is author of several publications focussing on aesthetics and international cultural exchange. He comes to the Haus der Kulturen der Welt from the Goethe Institute, where he served as Director of the Goethe Institute Mexico from 1999 through 2004 and subsequently as Director of the Arts Department for the Head Office in Munich. Previously, Scherer headed the Department of Humanities and Culture at the Haus der Kulturen der Welt and also served as its Deputy Director. The start of his directorship thus represents a return to an institution in which he from 1994-1999 played a decisive role with respect to organizational and artistic development.

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